Florine Stettheimer was Jazz Age New York's most stylish secret. A society heiress who refused to sell her work in her lifetime, she painted her circle — Marcel Duchamp, Carl Van Vechten, the Stieglitz crowd — in candied palettes and cellophane theatricality, leaving behind a body of work that reads as both decoration and quiet manifesto. Now in the public domain, her paintings have found a second life. Printed in our Washington studio on archival paper, museum-quality and gallery-suitable