The Artists Sister Edma With Her Daughter Jeanne 1872 Watercolor National Gallery Of Art Washinton By Berthe Morisot

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About Berthe Morisot

Among the founding Impressionists, she was the one whose brushwork went furthest toward dissolution - feathery, unfinished-looking strokes that critics in the 1870s found unsettling and that painters a generation later would recognize as the future. Born in 1841 into the Parisian haute bourgeoisie, she trained under Corot, married Eugène Manet (brother of Édouard), and exhibited in seven of the eight Impressionist shows, more than Monet or Renoir. Her subjects were the world she could actually move through as a woman of her class: drawing rooms, gardens, sisters at windows, mothers reading. Quiet pictures with radical surfaces - intimate without ever being sentimental.